Practical effects

And as I said, of course, the Godfather. But Owen Roizman has said that when he went to that set, he didn't have to light it. They would turn the lights on and they had these fluorescent lights and they really did little or no lighting. They would use like a white bounce card occasionally, but the fluorescents were probably, you know, brighter than normal fluorescent lights, but he didn't have to light this. And, you know, one of the things about this movie is

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and steering them. But again, most of what's here was in the book, although Doris Roberts from Everybody Loves Raymond, who plays the mayor's wife, Jessie. And Remington Steele. Yeah. And she is sort of a construct for this scene. But again, Stone not missing opportunities for real humor. And again,

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Now let's return to Lana Wood, who talks about the next scene. They put a rope across this midsection of a pool, and they had two guys hanging onto the rope. They really did have my ankles tied loosely with a scarf to a block of cement. I could hear the underwater camera.

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Francis Ford Coppola

This is a real picture once that my own son gave to me. It wasn't the same car. It was this Mercedes, and he drew a picture of it, and he said on it, do you like it? Yes, no. That's right out of my life, really. Did you see this? Diane Keaton always felt very comfortable with Al, and they really enjoyed each other, and she's such a bright,

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Oh. - Whoo! Now this little-- That was a great little-little dance there. I-I-I came up with that little dance step. Did you? - In seconds. And I don't know how I did it. And I've never been able to do it since. I could've killed you, because I could hardly do it. And Toguri kept telling me... I kept falling over. It was that wiggling on one foot, and I had high heels. We did it very easily and very quickly. I know. Did you make it up? In seconds. It's not from the "Time Warp"? - No. Or did we just follow you? Obviously. Well, Nell went... ... That looks good. That's good." And I don't Know where it came from, because you know I'm a terrible dancer. And we did it in seconds. And, uh, it was all over. But it looks rather good, that little leg movement. Yeah. Yes, I love this bit. "He's okay." Because when-when we did it in rehearsal, I gave Nellie a note for this. She'd hate the word "note." You know, and she goes, "He's okay." And changed it completely from however she'd done it before. And Tim Curry was so shocked, that he really did react to it like he was furious with her. Because she completely changed the tone of it. Mm-hmm. And I loved it because it was, like, it wasn't what he was expecting, so his fury was real.

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Roger Moore

This was shot for real, on location... ...in a room of the Danieli Excelsior. Beautiful hotel. It was the first hotel I ever stayed when I went to Venice.

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They really did play instruments, violins, horns... Was there ever a crisis during this shoot where you thought you couldn't continue? No, something like that didn't happen. No. We worked on this with great focus. There were problems, but crises... This is Henning von Gierke who is dancing with the buck. He is a painter by training. And now we will see part of the crew. Let's see. We have to wait and see who is sitting at the table.

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