Rewrites & drafts

And these, you know, when we're on this side of Tom, we can be more internal with him, you know, for these moments. Yeah, so all of these line crosses are actually deliberate. I love Henry's acting. Look at his eye muscles. Oh, I know. It's just, it's so good. He's really phenomenal. And he very, very carefully rewrites specific lines, chooses additional words, willingly whispered one word. And when he adds the word willingly,

26:17 · jump to transcript →

elegant rewrite from Henry Cerny, just adding the word authentic. Yes. Face. That's better, isn't it? Yeah. Face to authentic face. So good. And the first time we watched this in a theater, in a cut much longer, no music in the third act, no visual effects. And Hayley said her line and what was really sensational.

2:32:49 · jump to transcript →

line. I remember we were, like, you know, trying to write and rewrite the climax of the scene. The night before we recorded it. The night before we recorded it. It all just felt, like, way too much. I think we probably had, like, a long monologue at one point. And

56:08 · jump to transcript →

And I was rewriting this scene, particularly her lines, like every time we did another take of it. And this is very demanding, like, you know, long take and great on her for being able to remember all the rewrites as we were going. And Claes also...

1:37:16 · jump to transcript →