Topics / Performance
Non-actors / first-timers
20 commentaries in the archive discuss this, with 34 total mentions and 8 sampled passages on this page.
Shape this trail
Narrow the evidence by film decade or commentary type without losing the topic's full archive context.
Showing 4 of 20 commentaries
Clear filtersBy decade
Across the archive
ranked by mentions · click any passage for the moment in the transcript
-
multi · 2h 19m 3 mentions
Martin Scorsese, Nicholas Pileggi, Ray Liotta, Lorraine Bracco + 9
-
You gotta see this show. What a performer. He does these impersonations. I swear, you would think it was the real people. Oh, it's unbelievable.
1:01:26 · jump to transcript →
-
most powerful way to go, just not to do anything. And it's very hard for actors in general to feel that they're doing enough, whereas all they have to do is nothing, and that's all that's needed. And that in itself is something to learn or realize as an actor, especially in films. So sometimes when you use non-actors, they don't even think that way, and you can get a very strong presence without any of the
1:07:17 · jump to transcript →
-
It's the quality of these guys is so good that you go through this, even if it's sometimes a little harder to work with these gentlemen than with professionals. Actor Frank Vincent. And the less actors you use, the more real you can get reality because you get real people. They don't even know they're acting. Writer Nicholas Pileggi. But a lot of those guys in the back were not really professionals. They would just... Marty picked them up for character, for face.
1:08:28 · jump to transcript →
-
-
-
-
Alexander Payne
real teachers in scenes calling for teachers and students calling for scenes with students. In general, I like casting like that, smaller parts. For policemen, cast real policemen, and for doctors, cast real doctors, and I just like doing that. And I very much like mixing professional with non-professional actors. I think it makes...
1:12:19 · jump to transcript →
-
Alexander Payne
And this isn't just me. You see it a lot in other filmmakers, too. It's not original. But I agree that often non-professional actors can make professional, famous actors look more real. And the presence of those professional actors makes the non-professionals look as though they're acting better than perhaps they really are. And it's just a fun thing to do. You see it a lot in Milos Forman films. And I find a lot of inspiration in Milos Forman films.
1:12:43 · jump to transcript →
-
-
Related topics
Other topics that frequently come up in the same commentaries.