Topics / Studio & business
Ratings (MPAA / BBFC)
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to sort of change the direction of the franchise at this point? Well, a funny thing happened was that this original film and then the second one were extremely violent and dark and edgy and full of drug-dealing children and just mayhem and mutilation. I mean, as R-rated as you can get, despite the fact that they're comic book movies. But somehow or other, kids were watching the first one on video or cable or whatnot.
4:34 · jump to transcript →
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And Orion had it in their heads that maybe there was a younger audience for this character. And there was a, I don't know if the animated series had happened yet, but there were toys and there were comic books and it was starting to become one of those things. So their idea was, what if we did this as a PG-13 film where we sort of straddle that line so that not a family audience per se, but the younger kids could come in with their parents.
5:04 · jump to transcript →
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and their guardians. And that was the edict from the get-go. We want a PG-13 RoboCop. And I think one of the reasons they hired me was that the Monster Squad had sort of straddled that line fairly well as far as being edgy enough and scary enough that it wasn't wimpy, but it also didn't go too far. Right, right.
5:34 · jump to transcript →
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They thought it was fine the way it was. It was an unpopular decision, I have to say. No, they thought it was fine the way it was, but, you know, it was a PG-13 rated movie, and, you know, I don't think Rachel has nudity in her claws, so. This was out in the desert in Erfoud, about four hours past where they filmed some Lawrence of Arabia. I love this, the camel merchant there. I mean, if you watch him, he's such an expressive actor. He does such a great job, and just off to the periphery there.
33:38 · jump to transcript →
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A longer sequence. As scripted, it was... He was supposed to moon us. As he went around the corner, the warden was doing one little shot. It's where his pants were halfway down around his butt. But second unit, for some reason, decided that they should show his entire ass. And it was clearly a disgusting R-rated shot, and we could not use it. And then what... I bet you're all sorry you missed that. Yeah, I'm sure you did not want to see that shot in the movie.
44:12 · jump to transcript →
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The first shot of the CG mummy. Although Arnold Vosloo, who plays the mummy, plays Imhotep, he was a little disappointed because he was hoping it would be like, you know, gooier or scarier. But being PG-13, we had to, you know, there was a certain limit as to how gooey and scary and disgusting a mummy could be. These next special effects shots, we shot them at dusk, right as the sun was setting.
1:00:32 · jump to transcript →
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Do you know why McDonald's turned us down? Just R rating. Yeah, R rating. Yeah, but Taco Bell, they're made for R rating people. In some regions, there was an alternate. I had to shoot an alternate with a different franchise. Pizza Hut is in the British version. Pizza Hut also works. Pizza Hut's better than McDonald's and Burger King. But Taco Bell's the best. And Taco Bell has really...
53:25 · jump to transcript →
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for the NASA rockets and for all the test pilots and the various airplanes, and it was all done practically. So I went up to San Francisco to work with them on this. You don't have an NC-17 cut of this scene in a vault somewhere. We do, absolutely. There was a lot of material. It was a body double, obviously, for Sandra. Oh, my God. Fluid transfer? And...
1:10:31 · jump to transcript →
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It's a complete steal from Logan's Run. Yeah. You saw it the other night? Yeah, I watched it the other night. Love that film. Logan's Run is a key movie of my childhood because it had rated PG nudity, which changed my life. Mine as well. Jenny Aguilar, still remember.
1:14:32 · jump to transcript →
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and movie adaptations taken out of the library, even if it featured cannibalism, Shadowed Suddenly Last Summer. But no, watching stuff like Silence of the Lambs, I usually watched it without any adult supervision, as is the story of how I watched many R-rated movies as a pre-teen and teen. But yeah, just like you, it wasn't until a number of years later that I was
3:54 · jump to transcript →
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trans media or trans images are often received and put out in the mainstream i wouldn't necessarily say this film has faltered in any sense i would say if anything it's going as strong as ever i think people really appreciate uh this type of movie and this sort of novelty of this r-rated uh movie based on a mass market paperback thriller uh
5:19 · jump to transcript →
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Fox would generally have something that's kind of, okay, a PG-13 movie would be their big hit of 1992, not an 18 rated or hard R rated film. Without big names, frankly, apart from Sigourney Weaver, who, you know, as a woman is never going to be the, you know, no one would normally hang their summer blockbuster on a female character who isn't even in it really in an action movie anymore.
4:21 · jump to transcript →
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the best thing in it, really. But Brian Glover there is just so frickin' good in everything he's ever done. And weirdly, I know him best from Porridge, where he's also a prisoner. Although technically he's the warden here, but... Well, to many kids, you know, watching TV a lot, he was the voice of PG Tips, wasn't he? Yeah. And a Tetley. Was it Tetley? Was it Tetley? Yeah. Tetley makes tea bags make tea or something. Yeah, yeah.
27:45 · jump to transcript →
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which actually, and I don't know if I mentioned early on, I mentioned it somewhere, that we had to actually, we got a PG-13 by the ratings board when we, the final cut, or one of the cuts, and we had to go in and add two more fucks for Jennifer actually said, leave us the fuck alone or something, and that gave us the R because the picture was really, you know, wasn't, you know,
44:58 · jump to transcript →
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edgy enough or violent enough to get the R, so they had to add that and a couple of F words to get that R rating, because the kids, they like R-rated movies, they don't want to go to a PG-13 movie because they think it's too soft. I think, oh, we almost got a glimpse of Samantha.
45:26 · jump to transcript →
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