Night shoots & day-for-night

I love this scene. This is day for night, parked out in Malibu. Now we're on a stage. Remember that one, you had that one screening to see how the audience response? And you had in one take so much fake sweat that the audience was like, thought that your character was dying. Remember that? Yeah, that's right. It was like, but wait, I thought we were going to find out the conflict was that...

51:21 · jump to transcript →

He said, oh, he totally got it. Everything gelled, I think, after this night. When we finished it, I remember we started a night shoot. By the time we started shooting, we were done by 12.30. That's right. We finished really early. We had shot everything we could. We would just take one, take two, this way, and we were done by 1 o'clock in the morning. Look, as to you, I'm not going to be somebody like Diane Corda to kegger. This girl was different, man. When we go out, we wouldn't even have to go out, you know? We'd just hang out.

1:10:29 · jump to transcript →

John McTiernan

This stuff is day for night and the shots of the people in the helicopter are blue screen

10:01 · jump to transcript →